dart and flee before a
distant RUMBLE... that GROWS LOUDER AND LOUDER...
HELICOPTER
ERUPTS INTO WATERY VIEW as it blasts across the ocean...
CUT TO:
EXT. PACIFIC OCEAN - DAY
A tropical morning sun paints its luster on the sea-chop. A
helicopter hurtles across the Pacific Ocean.
CUT TO:
INT. HELICOPTER - SAME TIME
NORMAN GOODMAN, 50s, a days growth of beard and eyes sandy
with sleep, wakes up. Adj
manipulated by two HUMAN CREW MEMBERS. Wearily,
they lean the legs up against the stage wall. A human
DIRECTOR, wearing a tweed jacket and baggy pleated pants,
steps onto the set. From the equipment and the dress of the
crew, we can tell its the 1940s. Baby Herman throws his
cookie down in disgust. He talks in a gravelly voice an
octave lower than Wallace Beerys.
BABY HERMAN
What the hell was wro
manipulates the controls. On another screen
we see them cut to STOCK NEWS FOOTAGE: regular cockroaches,
crawling on garbage.
ANCHORMAN
Blattida Germanica. The common
cockroach.
DIRECTOR
(To a RUNNER)
Tell them were ready for a live feed.
EXT. OUTSIDE VAN - CITY HALL - DUSK
The runner exits the News Van. Other such vehicles parked
nearby. A CROWD of ONLOOKERS, REPORTERS and a gaggle of
PROTESTERS
dart about suspiciously, the ever-
watchful Sal.
There is a watchful reserve in Sal that contrasts to Sonnys
outgoing bounciness: first impression is Sonny is all bark;
Sal is the bite. Sal is dressed in impressive blue suit
style, he looks like a kid trying to impress the Godfather.
He even wears a hat. Now, matching Sals preparations
inside the car, he checks his ties alignment, shoots his
cuff
CHERRY FALLS
SCREENPLAY BY KEN SELDEN
FIRST DRAFT
FEBRUARY 14, 1998
FADE IN:
EXT. TOWN - NIGHT
The hanging sign says Entering Cherry Falls, Ohio
We see Cherry Falls - A small town in rural Northeastern Ohio. This is
Norman Rockwell land, red barns on dirt roads, a square in the center of
town. But things are hidden here. The barns are locked, the shades are
drawn.
Dissolve to:
EXT. LOVERS LANE
A
The World Is Not Enough
GUN BARREL LOGO OPENS ON
GENEVA SWITZERLAND, an unnaturally clean city that melds old
Europe with new money of both dubious and legitimate source.
INT. HALLWAY OFFICE BUILDING - DAY
An engraved brass plaque announcing the name of the 몷private
banking institute몸 within.
INT. PENTHOUSE BANK OFFICE - GENEVA - DAY
JAMES BOND, dressed impeccably as ever, is being FRISKED by
It is 7:14 P.M., Monday, September 22, 1975, and we are watching the network news programs on CBS, NBC, ABC and UBS-TV, the network of our story. The AUDIO is OFF; and head shots of WALTER CRONKITE, JOHN CHANCELLOR, HOWARD K. SMITH and HARRY REASONER, and of course, the anchorman of our network, HOWARD BEALE, silently flit and flicker across the four television screens, interspersed with the news
We are moving through a small airfield full of parked light planes. There are no people around. We move through the cluster of planes towards a hangar on the edge of the field.
INT. HANGAR - DAY
We are still moving through light planes, but now we are inside the hangar. Some of the planes have their engine covers open, parts strewn around. Others are partially covered with tarps or have sections
THE SAME SCENE; THE SAME SHOTS. Suddenly time RUSHES FORWARD. Als voice squeaks, the action accellerates.
LEADER (VO)
Run past this stuff.
THE VISUALS SPEED EVEN FASTER. SOMEBODY is running the tapes of
the EXPERIMENT right before the attack...FAST FORWARD.
INTRUDER
You wont believe this.
INT. LAB - The INTRUDERS SLOW the tape and watch with interest.
CU.- THE BEAKER on the pedestal surrounded by
BODY OF EVIDENCE
by
Brad Mirman
??
(second draft)
??
Over the BLACK we hear the SOUNDS of two people making love. A
MANS VOICE MOANS passionately.
??
FADE IN:
??
INT. BEDROOM - NIGHT
ANDREW MARSH lies on his back in bed. He is a frail-looking
man in his early sixties, with thinning gray hair. On top of
him is a much younger WOMAN. Although her back is to us, we
catch flashes of her face for a mom